A welcome
blue sky
day,
and
out
via
Monte Vista and
I-80 to the
Post Office,
followed
by
a
supply run, all with Harriet,
on the
16th day
(at least by one reckoning)
of Spring temperatures --
high up
3
to
59.
Later,
we
cannot
going
out again,
for another
Vacaville Streets walk,
now Leisure north from Maple,
viewfully
to
just west of the fruit stand.
After this, a bit more exploration,
then
homeward,
with
concerns
re both of our cars.
So,
out again
to
Firestone
to make
arrangements,
then
Olive Garden,
for drinks
and an
appetizer,
returning
to continue labours, including cover design and posting for
Op. 351 COAST RANGE SUMMER (July 24, 2021)
12-Tone Row of CM7, Dm, C# Black Note Pentatonic Cluster - Variations For Orchestra
on the Complete Works site,
in an environment of
Ludwig van Beethvoen (1770-1827)
Clarinet Trio in Eb, Op. 38 (1803)
Anton Bruckner (1824-1896)
Symphony No. 3 in D Minor (1824)
Alfred Newman (1900-1970)
The Greatest Story Every Told (1965 --
paradoxically
set
in
the
spectacular
American
West),
and
Mario Nascimbene (1913-2002)
Solomon and Sheba (19590 --
these latter
two taking their dramatic cues from the same Biblical sources as
Op. 168 THE BIBLE (September 1, 2008)
66 Books For Voices and Orchestra
IX-XIV. - I-II SAMUEL / I-II KINGS / I-II CHRONICLES
SOLOMON, Op. 70
XL. MATTHEW
THE NATIVITY ACCORDING TO ST. MATTHEW, Op. 72
[JOHN AND . . . ]
THE GOSPEL ACCORDING TO ST. MATTHEW, Op. 85
THE BEATITUDES, Op. 81
THE LORD'S PRAYER, Op. 5
[. . . SALOME, Op. 80]
THE PASSION ACCORDING TO ST. MATTHEW, Op. 55
XLI. MARK, Op. 411
XLII. LUKE
THE NATIVITY ACCORDING TO...
[AVE MARIA, Op. 372; MAGNIFICAT, Op. 86]
...ST. LUKE, Op, 106
PARABLES ("TERROR AND WONDER"), Op. 365
EASTER DAWNING, Op. 363
XLIII. THE GOSPEL ACCORDING TO ST. JOHN, Op. 327